LESSON LEARNED HERE: If you underexpose print films, you will not get the necessary shadow details. But given the wide latitude of print films, you can overexpose print films by 2 stops and yet get great results.
This ability for color neg films to be over-exposed and still reproduce decent images also accounts for the ability of print films to record much more brightness range than slides.
We often refer to this as “dynamic range”. In a slide, highlight information is stored as clear parts of the film that at a point contains nothing more than blank film base. Color negs continue to stack up increasing density (highlight) information until the film simply can’t record any more information.
Overexposing color negative film also makes it easier for most labs to get decent prints or scans, because more info is recorded. How much exposure compensation is needed? This probably varies with film but start with +.3 to+.5. Some film, maybe even one full stop.
This latitude doesn’t mean you’ll get an optimal result. It just means that within these ranges you can get a useable (depending on your purpose) result. Over- and under- exposure are mistakes. Film latitude should not be relied upon to cover mistakes in exposure.
Many people will intentionally reduce exposure of slide film by between a 1/2 stop and a full stop to increase colour saturation, retain detail in highlight areas and reduce grain. Some will also intentionally increase exposure on negative film by 1 to 1 1/2 stops to increase colour saturation and preserve details in shadow areas as well as reduce grain (grain can become very noticeable in underexposed areas of print film).
You’re on vacation. You’ve spent a fair bit of cash getting here, and arranging to have time off work.
The first place you are compelled to go to is a magnificent scene with the most beautiful landscape. You excitedly get your camera out. You don’t rush into ‘snapping away’ as soon as you see the scene anymore.
You stop and look at the light, the weather, and a few things around you. You visualise how the landscape will look as a photo. Then you apply a few secret landscape techniques that only professionals know and then….click.
Then you eagerly press the preview button on your digital camera and… Ooops! You forget something, this is film and there’s no preview and there’s no certainty that you’ll get on film what you just seen.
The Terengganu state government is going to turn Kuala Terengganu into a waterfront city soon. The master plan for the Shah Bandar area is being finalised and is likely to be shown to the public later this month. “The state government will then call all stakeholders to respond,” a conservationist, who declined to be named, said.
Under the plan, Masjid Putih (Zainal Abidin) will be rehabilitated and more public places and boardwalks culminating in Kampung Cina and Pasar Payang will be created, she said. While new public plazas will take on Islamic designs, the Chinese theme in Kampung Cina will be preserved, she said. “There are proposals to build shop houses on stilts or on some reclaimed land in Kampung Cina. These shop houses will be fronting the sea and will be similar in design to the old shop houses that have the back facing the sea,” said the source, adding that houses with illegal extensions will have to be demolished.
Points to ponder:
The “guitar:guitarist, hence, camera:photographer” metaphor is a bit off IMO. Being a photographer is actually more like being a composer. You create new works, rather than simply playing/interpreting works written by others.
It was a very fine morning, the river was so calm, soothing to my heart, so I decided have another shot at the Crystal Mosque coupled with the main landmark of the “city”, the Bukit Besar. The ruling government have been trying so hard to justify building such a monument for the people, well I guess this presentation wont help much.
This facility has been developed by the government to cater to the yachting teams and officials who attend the annual Monsoon Cup held late in every year. I should come to this yacht club during sunset more often. I like the reflections on the glass walls.
It is your employer’s duty to protect you from hazardous substances and hazardous situations whilst you are in work to minimise the risks of you developing an Industrial Illness or Industrial Disease.
For example, if your working environment is very noisy, it is your employer’s duty to reduce the noise to an acceptable level or, if this is not possible, to provide you with ear defenders to prevent Industrial Deafness or Noise Induced Hearing Loss. As long as your employer provides you with these ear defenders, it is your responsibility to wear them.
If your job brings you into contact with dangerous chemicals your employer should have already investigated the possibility of replacing the dangerous chemicals with less harmful ones and ensured that you have the minimal amount of contact with them as possible. If your employer has concluded that there is no way around you working with the dangerous chemicals, they should then provide you with protective clothing to wear. Again, it is your responsibility to wear the protective clothing once it has been provided.
Just a quote from a legendary art critique of our time for us to ponder for a bit:
"I know too that the powerful fear art, whatever its form, when it does this, and that amongst the people such art sometimes runs like a rumour and a legend because it makes sense of what life’s brutalities cannot, a sense that unites us, for it is inseparable from a justice at last. Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts and honour." John Berger